Already after the first time I give up writing a weekly update. I admit, I’m not disciplined enough. I will now rename it “randomly timed update of current affairs.” See, much better.

What happened this time? Apart from discovering that it is possible to garden on a balcony on the 4th floor, and by doing so becoming a Foursquare mayor of my local garden supply store, I have spent most of my time on finishing my proposal for this year’s North Sea Jazz Festival. Although I have a background mostly in beat driven electronic music, playing jungle, dubstep and other asymmetric electronic music as DJ at festivals and club nights, in the years of working for Kadir Selçuk and Huub van Riel in Lantaren/Venster and the Bimhuis since 2005, I have developed an interest in electroacoustic improvised music. Early concerts I did were with Jacob Kirkegaard, Christian Fennesz, Philip Jeck and BJ Nilsen, who are all part of the unsurpassed London music label Touch. Later on I collaborated with Yuri Boselie on inviting abstract beat  producers like Flying Lotus and Hudson Mohawke to the Bimhuis on the Beat Dimensions nights. And in between I worked with Alog, Stephen O’Malley and Icarus.

These experiences have led to the invitation by the North Sea Jazz Festival, to programme two stages: one with beat-driven music (Yukon), and one with electroacoustic improvisation (Volga). It’s a great honour to bring my favourite musicians to my old hometown, and I find it incredibly encouraging that such a big and respected festival is open to new developments, and reserves an important part of its line up to these cutting-edge musics. We are in the midst of booking the musicians, and hopefully within a few weeks we can present an allstar line up of stellar artists. The Yukon stage on Friday 9 July will present a new generation of beat makers, the Volga on Sunday 11 July multiple generations of electronically aided improvisors.

As for the garden, it looks stunning. I just hope the grass and bamboo will survive the heavy winds. At least there’s a Moomin looking after them.

Machinefabriek live at Aura in Castrum Peregrini (photo: Jelle Spanjaard)

On a Thursday night in September in 2006, multi-instrumentalist Rutger Zuydervelt performed under his moniker Machinefabriek on the 700th birthday at the Oude Kerk, the oldest building of Amsterdam that is located in the heart of the Red Light District. It was a night I organised when I was still working at the n8 foundation, the collaborative museum platform that works for the Amsterdam museums. This was the beginning of an ongoing love affair with one of the Netherlands’ most productive and imaginative young composers and musicians. Since this concert we have worked together numerous times at the Bimhuis, Lantaren/Venster, Castrum Peregrini, and once even in my appartment in Amsterdam, together with Danish sound artist Jacob Kirkegaard. Machinefabriek, a natural improviser who never performs the same work twice, and has an Olympic amount of releases and bootlegs swerving around. Even when I write, Michiel is listening to his music (and while you are peeking at his Last.fm account, have a look where Machinefabriek stands in my top artists list).

So it should not come as a surprise when we announce that the first artist we have asked to perform in 2010 is our dear friend Machinefabriek. We will celebrate the opening of the new year in De Verdieping with a special performance on Wednesday 6 January at 8 pm. We will also celebrate the proud fact that we have been granted a generous 2-year financial support from the Amsterdam Art Fund to upgrade the organisation and become a more professional cultural institution. The support enables us to notch up our activities and broaden our reach. We are delighted about this and look forward to inviting you to more adventurous programmes on the Wibautstraat in 2010.

We look forward to seeing you next Wednesday and toasting on the new decade. In the mean time, follow De Verdieping on Facebook and Twitter. Drive and shoot straight on New Year’s Eve.