Introducing an intern: Kirsten Weijs



Kirsten Weijs (1987) is originally from Belgium. She would describe herself as an urbanist painter and creative entrepreneur who studied Graphical Design at Sint Lucas in Gent and Arts & Culture at University Maastricht. After her bachelor she worked as assistant curator at several art galleries in Vienna like Galerie Nächst St. Stephan Rosemarie Schwarzwälder and Elisabeth Michitsch. She also studied exhibition marketing and culture management at the University of Vienna.

From networking with gallerists to documenting the city by foot, she always strives to keep her finger on the pulse of a city´s creative beat. In 2011 she started her Master´s degree at Maastricht University in the field of Arts & Heritage, where she specialized in the area of urban development; the tension between art and architecture and cultural industries.

The coming months Kirsten will devote much of her time to the Netherlands Architecture Institute, where we are currently organizing the summer programme, and for which Kirsten moved to Rotterdam. After her first week in the city, we asked her some questions.

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Non-fiction weeknotes #4

The fourth edition of  the Non-fiction week notes makes it a tradition. That is mainly because of the fact that the number four seems to be an important one: four members of Beatles, Olympic Games and World Championship is being held every four years, there are four terrestrial and four giant gas planets in the Solar System, mammals have four heart chambers, all insects with wings except flies have four wings and most importantly four is the atomic number of beryllium. We hope that this edition of Non-fiction week notes will be as interesting as the aforementioned facts about this great number. Enjoy the reading because we do it just 4 you.

Besides Juha, Boris and Adéla, Joske Koning, who collaborates with Boris, joined us too.

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ArchiNed article: Remote control for the city

Non-fiction’s Michiel van Iersel wrote a critical review of UAR, the new mobile architecture application of the Netherlands Architecture Institute (NAi), for architecture website ArchiNed.

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Oval, Phonophani and Mike Slott at the Bimhuis tonight

After the recent success of the sold out Viral Radio Festival 2010, Bimhuis and Viral Radio present Hyperrhythm, a programme with more innovative electronic music. The first edition of Hyperrhythm took place at this year’s North Sea Jazz Festival in Rotterdam. Then, Dimlite, Dorian Concept, Hudson Mohawke and Mike Slott played impeccable sets.

This Thursday, Oval (Thrilljockey, Berlin), Phonophani (Rune Grammofon, Tromsø) and Mike Slott (LuckyMe, New York) will play new work. Markus ‘Oval’ Popp is one of the main artists of the glitch movement, in which technical hitches and glitches are used as musical building blocks. Sound artist Espen Sommer Eide makes his solo debut in the Netherlands as Phonophani. Previously he has performed with Alog and he has collaborated with Biosphere and Pierre Bastien. Read an interview with him by Juha. Mike Slott made his debut at the Bimhuis alongside Dimlite and Take during Beat Dimensions at the Amsterdam Dance Event in 2008. He is the musical sibling of Hudson Mohawke, Rustie and American Men. Non-fiction’s Juha will set the perimeters with rhythmic abstractions.

The programme starts at 9 pm sharp, and tickets are still available at the door. We look forward to seeing you here tonight.

Oval – Ah! from Thrill Jockey Records on Vimeo.

Electronic music, North Sea Jazz and balcony gardening

Another update from Juha, having just recovered from the flu. Michiel has been ill too – way to go Non-fictionites. These past days have been all about the North Sea Jazz Festival, and a little bit of balcony gardening.

Already after the first time I give up writing a weekly update. I admit, I’m not disciplined enough. I will now rename it “randomly timed update of current affairs.” See, much better.

What happened this time? Apart from discovering that it is possible to garden on a balcony on the 4th floor, and by doing so becoming a Foursquare mayor of my local garden supply store, I have spent most of my time on finishing my proposal for this year’s North Sea Jazz Festival. Although I have a background mostly in beat driven electronic music, playing jungle, dubstep and other asymmetric electronic music as DJ at festivals and club nights, in the years of working for Kadir Selçuk and Huub van Riel in Lantaren/Venster and the Bimhuis since 2005, I have developed an interest in electroacoustic improvised music. Early concerts I did were with Jacob Kirkegaard, Christian Fennesz, Philip Jeck and BJ Nilsen, who are all part of the unsurpassed London music label Touch. Later on I collaborated with Yuri Boselie on inviting abstract beat  producers like Flying Lotus and Hudson Mohawke to the Bimhuis on the Beat Dimensions nights. And in between I worked with Alog, Stephen O’Malley and Icarus.

These experiences have led to the invitation by the North Sea Jazz Festival, to programme two stages: one with beat-driven music (Yukon), and one with electroacoustic improvisation (Volga). It’s a great honour to bring my favourite musicians to my old hometown, and I find it incredibly encouraging that such a big and respected festival is open to new developments, and reserves an important part of its line up to these cutting-edge musics. We are in the midst of booking the musicians, and hopefully within a few weeks we can present an allstar line up of stellar artists. The Yukon stage on Friday 9 July will present a new generation of beat makers, the Volga on Sunday 11 July multiple generations of electronically aided improvisors.

As for the garden, it looks stunning. I just hope the grass and bamboo will survive the heavy winds. At least there’s a Moomin looking after them.